You keep explaining your work to people who have no way of knowing if it's any good.
Your partner. Your mate from school. Your mum, who still thinks LinkedIn is where you go to find a "proper job." You show them a post you're proud of, and they nod the way you nod at a toddler's drawing. Nice. Very nice. Now come eat.
They can't tell a good post from a bad one. Why would they? It's not their game. Asking them if your writing is landing is like asking your dog if the wine's corked.
So you're stuck in this loop where the only people who see the effort are the people least equipped to judge it. They can see that you spent an hour on the laptop. They can't see whether that hour was any good.
And that does something quietly rotten to you.
Because when the only feedback available is "you're on that website again," you start writing for the toddler-nod. You start softening. Making it obvious. Making it safe enough that even someone who doesn't get it can't be confused by it. You sand the edges off your own voice to satisfy an audience that was never watching.
Which is how good writers become boring ones. Not from a lack of talent. From a lack of anyone in the room who can call it.
You don't need applause. You need one person who's playing the same game, who can look at a draft and say "the second half's weaker than the first" and actually mean something by it. Someone who knows what a decent post costs on a bad day, because they're paying the same price.
That person isn't at your kitchen table. And that's fine. It was never their job.
It's just that until you find them, you're grading your own homework with a red pen you're too scared to use.